Jaguar is a 2016 Indian bilingual romantic action full movie film produced by H. D. Kumaraswamy under his banner Channambika Films and directed by Mahadev. It features Nikhil Gowda and Deepti Sati in the lead roles, while Tamannaah made a debut in Kannada-language and will be seen in a special appearance. Music has been composed by S. Thaman and fight scenes are choreographed by Ram-Lakshman masters. The film was released worldwide on 6 October 2016.
|Produced by||Anitha Kumaraswamy
H D Kumaraswamy
|Story by||K. V. Vijayendra Prasad|
|Starring||Nikhil Gowda, Deepti Sati|
6 October 2016 (India)
For probably the first time, a built up make a big appearance motion picture does not frustrate. Puma isn’t an incredible film yet isn’t a weakling either. It has the sort of spending plan prompted greatness and huge names that most debutants can just dream of.
Nikhil Kumar figures out how to bring enough diligent function from off camera to make it advantageous. He can move well, look persuading in huge trick scenes and furthermore makes them act capacities to guarantee a place for himself in Sandalwood.
In any case, the film is stuffed with such huge numbers of characters doing practically nothing. It has an open-finished story with the hero killing a judge on live TV in the primary scene.
Better believe it, he is likewise wearing a crusader veil. Also, you need to hold up till the finish of more than two hours to ‘see’ what number of more he kills and all the more significantly why he is doing it. Be that as it may, there are sufficient disclosures all through the account to know the story much before it closes. That is the place the content comes up short.
Fortunately there is no pointless picture working for the new performing artist. Truth be told, a portion of the picture building scenes are given to some other on-screen character. Among alternate performers Sadhu Kokila gets the opportunity to do some unique jokes and draws commendation.
Vinayak Joshi influences a rebound to movies to and figures out how to stand his ground. Loki is as threatening as ever. Avinash is squandered. Deepti Sati is enchanting and can pull in all eyeballs on to her.
On occasion, you start to think about whether it is a Telugu film in mask. The vast majority of the on-screen characters are from Tollywood and with the exception of when you see Vinayak Joshi, Sadhu Kokila or Bhajarangi Loki.
Utilizing prominent Kannada voices like those of Srinivas Prabhu and Mohan Junaija for Tollywood performing artists makes the sidelining of neighborhood ability articulated. The maker appears to be more disposed on the Telugu showcase than Kannada.
The feature of the film is a pursuit grouping that is top class. While the principal half of the film appears a constrained sentiment just to compel four melodies, the second half races ahead with activity and the opening up of the genuine story.